The 11th Black Pullet ring: Teleportation

October 31, 2026

The 11th Black Pullet ring: Teleportation

The Black Pullet, and the eleventh ring

The Black Pullet is a grimoire of rings and talismans, each one made for a particular purpose, and each one distinct from the others. That specificity is the whole point of the series. This article is about one ring only: the eleventh ring, whose purpose, as given in its title, is Teleportation. It is not a general Black Pullet ring, and it is not interchangeable with the other rings in the series, nor with the eleventh talisman, which is a separate item with its own price and its own form. If you order this ring, you receive one ring, made for this purpose, and that distinction matters before you order, not after it arrives.

Teleportation, as a named purpose, is worth thinking about in plain terms before any ritual language is added to it. It speaks to movement from one place to another, to a journey made, to arriving where you need to be. A practitioner who takes the title seriously should ask, in their own notes, what journey they actually have in mind. Is it a real journey you must make, a passage through a difficult situation, or a working in which distance itself is the problem to be worked on? Those are different aims, and they call for different preparation from you, even though the ring is the same. Write the aim down in one sentence, and keep it in your record, so you can read the working afterwards against a clear purpose rather than a vague wish.

A ring, not a talisman

Form matters here, because a ring is worn, and wearing is a daily practice in itself. A ring sits on the hand, where you see it, where you feel it, and where it goes with you through ordinary work as well as ritual work. That is different from a talisman kept in a pouch or laid on an altar. The ring form suits a working that travels with you, and it asks something of you in return: that you wear it deliberately, that you know why you are wearing it, and that you do not treat it as ordinary jewellery one day and a ritual tool the next without noticing the change.

Before ordering, be clear about which form you want. The eleventh ring and the eleventh talisman share a number and a purpose in their titles, but they are not the same object, and one is not a cheaper version of the other. The ring is for the hand. The talisman is a separate piece, made and priced separately. Choosing between them is a practical decision about how you work, and it is better made now, while you are reading, than after a parcel arrives and you realise you wanted the other form.

Hand made, hand engraved in wax

The rings in this line are each hand made with the proper materials, and the designs are hand engraved right into the wax used to create the rings. That is a strong statement, and it is worth taking seriously, because it tells you what kind of object this ring is, and why it is made the way it is.

Hand engraving into wax means the design is cut by hand, by the practitioner who makes the ring, before the ring is cast. A hand engraved design carries the variations of hand work, and those variations are part of the making, not faults in it. Expect that difference. It is not a flaw in the order. It is the nature of the object.

Preparing the working

Preparation for a working like this begins with the journey itself, in ordinary terms. Where are you going, why are you going, and what stands in the way? If the journey is a real one, prepare for it in the ordinary world as well: routes, timing, money, and the practical matters that a ring cannot sort out for you. Ritual work is not a substitute for planning a journey properly, and a working done on top of careless planning will be hard to read afterwards, because you will not know whether a difficulty came from the working or from the planning.

Then prepare yourself. Bathe, or at least wash your hands and face, and set the time for the working aside from ordinary errands. Know what you are going to say, in your own words, and know what you are not going to say. A petition that tries to cover every possible journey, every possible outcome, and every possible danger usually covers none of them well. Keep it direct, keep it honest, and keep it to the journey at hand. If your practice calls for a formal form of address, use the form you have been taught. If it does not, plain, direct words said once, clearly, are better than a long improvisation that loses its shape halfway through.

Wearing the ring in the work

When the ring arrives, take time with it before you wear it for a working. Hold it, look at the design, and notice that it is not identical to any sample image you saw. That uniqueness is part of what you are working with. If your practice includes consecration or blessing of a new tool, do that work in the way you have been taught, and do not rush it because you are eager to use the ring. A tool that has been properly received and properly set aside for its purpose is easier to work with than one that was put straight on the hand in excitement and then forgotten about.

In use, wear the ring deliberately for the working, and keep a simple record: the date, the journey or passage in one sentence, what you did, and what you noticed afterwards, over days rather than only on the day itself. If you wear the ring daily, note when you wear it for a working and when you are simply wearing it, so the record stays honest. A record that pretends every day was a ritual day is no use to you later, when you are trying to tell what, if anything, changed.

What not to expect, and when to stop

Do not treat this ring as a substitute for safe travel, for lawful movement, or for the ordinary decisions a journey requires. If a journey is unsafe, or if the ordinary-world steps have not been taken, deal with those matters first. A working that is asked to carry the whole weight of a badly planned journey will disappoint, and the disappointment will tell you nothing about the ring, because the working was never given a fair setting.

Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence. It is noise. And as with all the work described here, no guaranteed magical result is promised. That is about the work itself, not about delivery dates for a physical item.