Black Pullet ring 21: turning a curse back, in a ring made by hand

What the Black Pullet is, and why a numbered ring is not a generic ring

The Black Pullet is a grimoire tradition with its own talismans, its own rings, and its own way of working, and a ring numbered 21 in that tradition is not a generic protection ring with a number added for effect. That specificity is the whole of the ring's identity, and it is why this article does not treat it as a general good luck ring, a general protection ring, or a ring for any other Black Pullet purpose.

Numbered traditions ask for care, because it is easy to blur one number into another, and to assume that a ring for one purpose will do for a different purpose just as well. It will not, or at least, it should not be assumed to. If the matter you are dealing with is a curse, then a ring for reversing a curse is the ring that fits the matter. If the matter is something else, a lock, a thought, an enemy, a medicine, then the Black Pullet has other rings for those matters, and the right ring is the one that matches the matter, not the one that happens to be in front of you. Name the matter in one clear sentence before you order anything, and let that sentence, not a general wish for protection, decide the ring.

A curse, in this kind of work, is also worth defining in plain terms before you act. It may be a working sent against you, it may be a run of misfortune that feels directed, it may be a tangled situation that has taken on a life of its own. Whatever it is, write it down, in plain language, with dates and events, before you do any further working, because a record made before the working is the only way to tell, afterwards, whether anything has actually changed, or whether you have simply become used to the weight of it. A record made after the fact, from memory, will always favour the story you already believe, while a record made before will let you see the change, or the lack of it, plainly.

Hand engraved in wax, not machined

That is a maker's judgement, stated in her own words, and it shapes the whole object: each ring is engraved by hand, in wax, before it is cast, and the hand work is part of the ring, not a finish applied afterwards, and not a pattern stamped onto a ready-made ring.

The images shown are sample images of past work, yours will be unique and will look different as these are handmade, and you will receive one ring, or one talisman, with any other items listed being for information purposes only. That is an important expectation to set before ordering. If you want a ring that looks exactly like a sample photograph, down to the last line, then a handmade ring is not the right choice, because a hand engraved ring will not, and should not, be identical to another. If you want a ring that was engraved by hand, for this purpose, then the difference is not a flaw, it is the sign that the work was done by hand, and that sign is worth more than exact sameness.

That hand work also explains why a ring of this kind should be treated as a working tool, not as ordinary jewellery. Ordinary jewellery is made to look the same, time after time, and to be worn without thought. A hand engraved ring is made for a purpose, and it asks to be worn with that purpose in mind, put away properly when it is not being worn, and kept apart from ordinary rings that have no working purpose at all. Keep it in a clean place kept for working tools, clean it gently with a soft cloth, and do not subject it to harsh chemicals or to rough wear that would damage the engraving you ordered it for, because the engraving is the ring, in a very real sense, and damage to it is damage to the tool itself.

Reversal, and what it means to be specific

Reversal is a particular kind of work, and it is different from protection, from cleansing, and from attack, even though all four are sometimes talked about as if they were the same thing. Protection keeps something out. Cleansing clears what is already there. Attack sends something out. It is worth keeping those four apart in your mind, because each asks for a different clarity, and a ring for reversal, worn with a vague wish for general safety, is not being used for the work it was made for, however sincerely it is worn.

Being specific about what you want is part of that work, and it is not a formality. What curse, sent by whom, or arising from what situation, do you want reversed, and what would reversal actually look like, in ordinary life, if it happened? Would it look like the misfortune stopping, like a particular person leaving you alone, like a situation untangling, like a weight lifting? Write that down, in your own words, before you wear the ring, because a vague wish to reverse everything bad is not a working, it is a sigh, and a sigh, however heartfelt, does not give a working anything to hold onto, while a clear sentence does.

Afterwards, keep a record in the same plain terms: date, purpose in one sentence, when you wore the ring, what you did, and what you noticed over days and weeks, not just on the first night. Note the ordinary events, too, because reversal, if it happens, will often show itself first in ordinary terms: a message that stops, a situation that loosens, a run of bad turns that breaks. A record that only notes feelings, and never events, will not let you tell, weeks later, whether anything changed, and a record that notes events honestly, good and bad, will, and that honesty is the whole value of keeping a record at all.

Wearing the ring, and working with it

A ring is worn, and wearing it is part of the work. Wear it on a hand, and on a finger, that suits your practice, and wear it when you are doing the work, and in the days when the matter is live, rather than leaving it in a drawer and thinking of it only when the matter flares up again. A ring that is worn is present in the ordinary moments when a curse shows itself: the conversation, the message, the meeting, the day that goes wrong for no clear reason. That presence is part of why a ring, rather than a disc kept on an altar, fits this kind of work, because the matter it deals with does not stay on an altar, it follows you into the day, and a tool for it should follow you too.

The general seal-working guidance that applies to rings and seals alike is worth applying here, in the form that fits a ring. Hold the ring, and set it aside in a clean place for your working tools when you are not wearing it. Put it under a candle, if your practice calls for that, for a working. Put oil on it, if your practice calls for anointing, deliberately, naming the purpose in your own words. Carry it, wear it as a working ring, and show it, where your practice calls for showing, to the person or situation concerned, in the way your system teaches. Do not invent a rite for a ring you have not been taught to work with, and do not use a general article as a substitute for teaching in the system you work in, because a rite invented from an article is not a tradition, it is a guess.

If your practice calls for cleansing or consecration of a new tool, follow the instructions you already follow in your system. A general article like this one is not a substitute for proper teaching, and it should not be used to invent a consecration rite. Preparation is most of the work, and with a ring that preparation starts before the ring arrives, in the clear statement of the matter, the record of events, and the decision, made calmly, that reversal, rather than protection or cleansing alone, is the work you actually need to do. That decision, made before ordering, is worth more than any amount of hurried work afterwards.

Knowing when to stop, and when to seek other help

Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe over weeks, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence, it is noise, and it is also a way of staying inside a matter that might, with a clearer eye, be seen to need a different kind of help altogether: a conversation, a boundary, a legal step, a medical step, or simply a decision to walk away from a situation that no ring can untangle for you, and that decision, when it is the right one, is not a failure of the working, it is a working of another kind.

A ring for reversing a curse is a ritual tool, and this article promises no result, magical or otherwise, from wearing one. That scope, honestly stated, is the whole of it, and it is enough, because a tool whose purpose is clear, whose making is honest, and whose limits are stated plainly, is a tool that can actually be worked with, rather than merely hoped about, and hope, on its own, is not a working.

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