The 21st Black Pullet Talisman: Reverse Curse

What the Black Pullet talismans are

The Black Pullet talismans come from a grimoire tradition in which a set of talismans, rings, and silk embroidered pieces are made by hand, each for a particular purpose, with proper materials, and with the design worked by hand rather than by machine. An engraving machine is not used for this, since it would take away much of the magic. That sentence is the whole method in miniature. The hand work is not decoration, and it is not a selling point added afterwards. In this tradition, it is part of how the talisman is made to be what it is.

You receive one ring, or one talisman, as listed in the title. Any other items shown are for information purposes only. That is not a disclaimer to skim past. It is a description of what handmade means. No two pieces come out alike, because no two pieces are made by a machine following the same file. If you want an exact copy of a photograph, a handmade talisman is the wrong purchase. If you want a piece made by hand, for its purpose, with the variations that hand work brings, then the difference between the sample and your piece is not a flaw. It is the evidence that the piece was actually made by hand.

The Black Pullet set is a numbered set, and each number carries its own purpose. The 21st talisman in that set is for reversing a curse. That numbering matters, because it is how the talismans are told apart, and how you make sure you are ordering the piece whose purpose matches the work you actually need. A talisman for reversing a curse is not interchangeable with a talisman for reading thoughts, or for opening locks, or for command over storms, however similar the pieces may look in photographs. The design, the making, and the purpose belong together, and ordering by number and by purpose, rather than by appearance alone, is the first discipline of working with this set.

Reversing, breaking, and protecting: three different acts

People often use the words reversing, breaking, and protecting as if they meant the same thing, and that looseness causes a lot of wasted work. They are three different acts, and the 21st talisman is for one of them in particular. Breaking a working undoes it, so that it no longer holds. Protecting guards against a working taking hold in the first place, or against further workings landing while you recover. Reversing turns a working back: what was aimed at you is turned, so that it no longer works against you, and its force is sent back along the path it came by. Those are not the same aim, and they do not call for the same tools, the same timing, or the same frame of mind.

That distinction matters for choosing this talisman well. If what you need is simply to be free of a binding, so that you can get on with your life, a breaking working may be the cleaner and simpler choice, and it leaves less in its wake. If what you need is to be guarded while you recover, a protective working may be what actually serves you, and a reversal done in haste, while you are still in the middle of the trouble, may add a second working to a situation that already has too many. Reversal fits the case where a curse has been laid, you know it, or have good reason to believe it, and turning it back is the act that actually closes the matter, rather than merely pausing it. Ask yourself, plainly, which of those three you actually need, before you order a talisman made for one of them in particular.

Being specific about what you want is the discipline that runs through all of this kind of work, and reversal work needs it more than most. What, exactly, was laid? When did the trouble start? What pattern has followed since then, in your life, your house, your work, your health, your relationships? Write it down in plain language, with dates where you can. A reversal aimed at a vague feeling that something is wrong will be hard to read afterwards, however sincere it is. A reversal aimed at a specific pattern, with a specific beginning, can be watched: does the pattern lift, does it change shape, does it return, does something new take its place? That watching is the work after the working, and without it you will not know what you have done.

Before reversal: the plain inventory

Before any reversal, take a plain inventory, and do it on paper, not only in your head. When did the trouble start? What were you doing, and feeling, around that time? Is there a person who has a real reason to work against you, or is the story of an enemy mostly filling a gap where you do not yet understand what happened? Is there an ordinary-world cause running alongside all of this: an illness, a debt, a broken relationship, a run of exhaustion, a decision you keep making that keeps producing the same result?

That inventory is not doubt, and it is not a reason to do nothing. It is the ground a reversal stands on. A reversal aimed at the wrong source, or at a trouble that is mainly ordinary in origin, will not hold, however thoroughly it is done, and it may leave you feeling that magic itself has failed you, when what actually failed was the diagnosis. A talisman can reverse a curse. It cannot pay a bill, mend a body, undo a habit, or end a relationship you are afraid to end. Name the ordinary causes too, and deal with them in the ordinary world, at the same time as the magical work. Work done on both levels holds better than work done on one alone.

If the trouble is a medical matter, get medical attention. If it is a safety matter, deal with safety first, in the ordinary world. If it is a legal matter, deal with that in the ordinary world as well. A talisman is not a substitute for a doctor, a lawyer, or for leaving a dangerous situation, and treating it as one delays the help that actually fits the problem. That is true of every kind of magical work, and it is especially true of reversal work, where the urgency of the situation can tempt a person to reach for the most dramatic tool first, rather than the most fitting one.

How a talisman like this is worked with

A Black Pullet talisman is worked with by carrying it, or wearing it, as the form allows: a ring worn on the hand, a silk talisman carried or kept with you. The form matters less than the regularity, and reversal work in particular is not a single dramatic gesture. It is a piece carried or worn steadily, in the life where the curse has been acting, while you watch for change and attend to the ordinary work alongside it. A talisman worn only on rare occasions, and otherwise left in a drawer, is not being worked with. It is being stored.

When you first receive the piece, take time with it before you put it to use. Look at it. Hold it. Note how it differs from the sample images, because it will differ, being handmade, and that difference is part of its identity as your piece, not a defect to be complained about. Keep it in a clean place, used for your working tools, rather than loose in a pocket with keys and change, or on a bathroom shelf. A tool that is treated carelessly tends to be worked with carelessly, and that shows in the record you keep afterwards.

Carry or wear the talisman deliberately, with the purpose in mind, in your own words: that the curse laid on you is turned back, and no longer works against you. Then attend to the rest of the work. Tidy the living area, in the ordinary sense. Deal with the ordinary causes you named in your inventory. Keep the record: date, pattern in one sentence, when you began carrying the piece, what changed afterwards, in plain language, over days and weeks. Do not record only the changes you hoped for. Record what actually happened, including the times when nothing changed, and the times when the pattern changed shape rather than lifting entirely. That honesty is what lets you decide, later, whether the reversal held, whether a further working is needed, or whether the trouble was never, in the main, a curse at all.

After reversal: what to build in the cleared ground

Reversing a curse is only the first half of the work. The second half is what you build, or rebuild, in the space that has been cleared. A life that has been under a working, for weeks or months or longer, develops habits around that working: caution that has become avoidance, a room that is not used, a conversation that is not had, a plan that is not made. When the working is turned back, those habits do not automatically dissolve. They have to be noticed, and then deliberately set aside, one at a time, in the ordinary world.

That is also why a protective practice, maintained after a reversal, is worth thinking about, as its own step rather than as an afterthought. A reversal closes a particular working. It does not, by itself, guard against the next one, and it does not rebuild the routines that were interrupted. Think about what belongs in the cleared ground: a protective practice you actually maintain, a habit you have been neglecting, a boundary you need to hold, in plain words, with a person or a situation. Write those down, alongside your record of the reversal, so that the second half of the work is not lost in the relief that follows the first half.

And do not chase reversals. If you reverse, and reverse, and reverse again, and the trouble returns each time in the same shape, stop and reconsider the source. Either the source is not what you assumed, or the trouble is not, in the main, a magical one at all. Bring your record to a practitioner or a teacher you trust, and ask for a second pair of eyes on it. A clear record, kept over weeks, is worth far more in that conversation than a feeling that something is wrong, however strong the feeling is.

#21stBlackPullet #ReverseCurse #BlackPullet #PulletTalismanReverse #PulletTalisman #ReversalAimed #Talisman