Any Goetia seal as a cast pendant: choosing the spirit first

A pendant for any spirit in the Goetia, and why that choice matters

It is not a pendant for one named spirit. It is a cast seal pendant, two inches, for any spirit listed in the Goetia. The buyer chooses the spirit, and the seal is cast for that spirit. That means the first work of this pendant is not done at the bench. It is done by the buyer, before ordering, in deciding which spirit they actually mean to work with.

That decision deserves more time than it usually gets. The Goetia contains seventy-two spirits, and they are not interchangeable. One teaches a science, another reconciles friends, another governs love, another builds fortifications. Choosing by a familiar name, or by a name that sounds impressive, is a poor way to choose a working tool. The right question is simpler and harder: what is the work, in one sentence, and which spirit's office answers that work?

If you cannot answer that question, do not order yet. Read the grimoire entries, compare them, and notice which office keeps returning to the matter in hand. A pendant ordered for the wrong spirit is not a faulty object. It is a well-made tool for a working you did not mean to do.

What a cast seal pendant is, and why casting matters

These are lost wax cast seals of the Daemon Demons of the various grimoires. They are pure metal which is actually cast, starting with a wax version.

In lost-wax casting, the seal is first worked in wax, then cast in metal from that wax form. The wax is lost in the process, which is where the name comes from, and the metal that remains is a solid, cast object, not a printed shell. You can feel that difference when you hold it: a cast seal has weight, it has a surface that shows the hand work, and it does not have the layered texture of a printed object.

Athena notes that she has been practicing magic for twenty-five years. That length of practice is part of what the buyer is relying on here, because a seal for any spirit in the Goetia cannot be cast from a single mould. Each spirit's seal is its own design, and the maker must know it, carve it, and cast it truly. A generic disc with an approximate design would not be the seal of the spirit named.

Disc, or pendant: how the seal is finished

That is a practical detail, and it is worth knowing before you order, because it affects how the pendant hangs and how it will wear over time.

Two inches is a substantial size for a seal pendant. It is large enough for the design to be read clearly, and large enough to hold comfortably in the hand during a working, and it is also large enough to be noticed when worn. That is worth considering plainly. A seal pendant is a working tool that is also visible. If you need a tool that can be worn discreetly every day, think about when you will wear it and when you will keep it put away, before you choose this size.

Made to order timing follows the same pattern as the other cast seals here. A seal that is already listed takes about two to three weeks while seals that are not listed, but are under the other option, take eight weeks, because she still has not carved their waxes yet.

Working with a seal pendant, in your own practice

A pendant seal is made to be carried, and carrying it is part of the work, not an afterthought. Hold it in your hand when you are preparing a working, and take time to look at it properly before you begin. Put it under a candle during a working, if your practice calls for that, so that the seal sits within the working itself rather than beside it. Put oil on it, deliberately, naming the purpose in your own words, when anointing belongs in your rite. Carry it when you are working, and put it away properly when you are not, rather than leaving it in a pocket with keys and loose change.

Fumigation belongs here too. A seal that is never anointed or fumigated, and is only worn as jewellery, is not being worked with in the same way as a seal that is prepared for a working and then carried.

Adapt all of this to the system you already work in. A general article like this one is not a substitute for proper teaching, and it should not be used to invent a consecration rite for a seal you have not been taught to consecrate. If your practice calls for cleansing or consecration of a new tool, follow the instructions you already follow in your system.

Keeping a record, and knowing when the work is done

Keep a short record for each working: date, purpose in one sentence, the spirit named, the seal and any oil or incense used, what you did, and what you noticed afterwards, over days and weeks, not just on the night itself. If nothing changes, that is also information. It may mean the petition was unclear, the timing was wrong, the work was not appropriate, or simply that the situation needs a different approach.

Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide calmly whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence. It is noise.

Care for a cast pendant is practical. Keep it in a clean, dry place when you are not wearing it, away from other metal objects that could scratch it. Clean it gently, with a soft cloth, and do not use harsh chemicals or abrasive cleaners on it, unless you know, for the specific metal involved, that such a cleaner is safe. If the bail loosens, stop wearing it until it can be repaired properly. A tool you are worried about losing is a tool you cannot focus with.

Any Goetia cast seal pendant, 2 inches

A seal for the spirit you have chosen should be a seal, not a picture of one. This is the pendant I offer for that work: any Goetia cast Daemon Demon seal pendant, 2 inches, $216 CAD. View the product

I make these as lost wax cast seals, cast from a wax version in pure metal, one at a time, and I bless each one myself before it is sent out. I make no promise about what it will do for you, only that it is cast by hand, for the spirit you name, to be carried and worked with.

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