Working with Balam: anointing, and the oil made for that work
Starting with the work, not with the tool
Spirit work is not shopping. It is a practice, and like any practice, it goes better when you are clear about why you are doing it, what you are asking for, and what you are prepared to do yourself.
He is a terrible and powerful king, appearing with three heads, the first like that of a bull, the second like that of a man, and the third like a ram's.
That description is worth sitting with before you do anything else, because it tells you this is not a mild, background spirit to be approached casually. A terrible king, in the old sense of the word, is a king to be approached with seriousness, with a clear purpose, and with proper preparation. If you cannot state the matter in one clear sentence, write it down, leave it overnight, and come back to see if it still reads true. That pause is part of the work, not a delay in it.
If you are working in the Goetia system, work from the instructions and teaching you already follow in that system. A general article like this one is not a substitute for proper teaching, and it should not be used to invent a purpose for a spirit you have not studied.
Preparation is most of the work
Preparation in this kind of work is not decoration. It is how you get yourself into a state where you can listen, speak clearly, and notice what changes.
Start with the room. Clear the space you will use, not just physically, but in the sense of setting it aside for this purpose. Put away the things that pull your attention elsewhere. If you have a regular working space, use it. If you do not, choose one place and use it consistently for this working, so the place itself starts to carry the association.
Then prepare yourself. Bathe, or at least wash your hands and face, and change into clothes you do not wear for ordinary errands. This is not about looking a certain way for anyone else. It is about marking, for yourself, that this time is set apart. Eat simply beforehand if you can, and avoid starting a working when you are exhausted, drunk, or already agitated. A clear head is a working tool, just as much as oil or incense is.
Next, prepare the words you will use. Do not improvise a whole petition on the spot if you can avoid it. Know what you are going to say, in your own words, and know what you are not going to say. A petition that tries to cover every possible outcome usually covers none of them well. Keep it direct, keep it honest, and keep it to the matter at hand.
Why anointing, and why oil at all
Anointing is a way of marking something, or someone, for a purpose. In practice, it is often done on the hands, the forehead, or on a tool, seal, or candle that will be used in the working. The act itself is simple, and that simplicity is the point. You are not hiding the work behind complicated gestures. You are touching the thing, naming the purpose, and doing it deliberately.
Oil is used for anointing because it stays. It does not evaporate in a moment like a scent on the air, and it does not wash off at the first touch. It remains on the skin or on the tool while you work, and that staying quality is part of how it functions in a ritual setting. You can smell it, you can feel it, and you are reminded, through the whole working, of what you set out to do.
That is also why the quality of the oil matters in practice, not as a luxury, but as a matter of attention. An oil made in a hurry, from synthetic scent, does not carry the same weight in the room as an oil made for this specific work, from real materials, in a small batch. You will notice the difference when you open the bottle, and you will notice it again halfway through the working, when the scent is still there and still clear.
How the Balam oil is made here
I hand make all of my own perfumes, colognes and oils from only pure essential oils, roots and herbs. I do not use any extraneous ingredients or fillers. I also do not use any synthetics. Sometimes there is the odd gemstone thrown in as well.
Each batch of oil is hand made when you order, not pulled from a warehouse shelf months in advance.
That made-to-order point matters for a working like this. It means the oil has not been sitting, opened and closed, through other people's orders. It is made for your order, and then blessed by me myself before it is sent out. I make no promise about what it will do for you, only that it is made by hand, for this work, and not mass produced.
Incense, and why oil and incense go together here
Incense and oil are often used together in Goetia work, and Balam work is no exception. They do different jobs in the room. The oil marks and anoints. The incense fills the space and sets the atmosphere for the working itself.
The Balam incense offered here is hand made in the same way: each batch is hand made when you order it, unless a batch has just recently been made. The incenses made here are of a quality that I use them myself for magical work. They work well enough that I use them successfully for spirit work, work for clients, as well as my own spellwork.
If you are doing a full working, rather than a single anointing, use both. Anoint first, with a clear purpose in mind, then light the incense and let the room settle before you speak your petition. Do not rush from lighting to speaking. Give the room a moment to change, and give yourself a moment to notice that change.
If you are only anointing a seal or a candle for later use, you can still use the incense to fumigate that item at the time you prepare it. That is a common use for incense in this kind of work: to start a working, and for fumigating the tools and talismans that will be used in it.
A simple working order, to adapt to your own practice
The following is a general order, not a fixed script. Adapt it to the system you already work in, and to the instructions you already follow for Goetia work. Do not treat a general article as a substitute for proper teaching in the system.
First, prepare the room and yourself, as above. Second, set out the seal, tool, or candle you will use, and the oil and incense. Third, anoint, deliberately, naming the purpose in your own words. Fourth, light the incense and let the space settle. Fifth, speak your petition, clearly and once, rather than repeating it until it loses its shape. Sixth, sit quietly for a time and listen, rather than filling every moment with more words. Seventh, close the working properly, thanking in whatever way your practice requires, and put the tools away in their proper place.
Afterwards, write down what you did, when you did it, and what you noticed. Not what you hoped would happen, but what actually happened, in plain language. That record is what lets you tell, weeks later, whether anything changed, and whether that change had anything to do with the work.
What not to do
Do not do this work when you are agitated in the moment, if you can avoid it. A working done in the heat of a moment often reads, afterwards, as something you wish you had phrased differently. Wait until you can state the matter calmly, even if the matter itself is serious.
The oil is made for the work, blessed by me before sending, and sent to you to use in your own practice. What follows from that practice, in terms of magical result, is yours to observe, not mine to guarantee. That is about the work itself, not about delivery dates for physical items.
Do not use the oil internally, and do not use it on broken skin. It is made for anointing and ritual use, from essential oils, roots and herbs, and it should be treated as a ritual oil, not as a food, a medicine, or a skin treatment. If you have sensitivities to essential oils, test a small amount first, or do not use it on skin at all, and anoint a tool or candle instead.
When this is not the right work
Sometimes the right answer is not a spirit working at all. If the situation is a legal matter, a safety matter, or a medical matter, deal with that matter in the ordinary world first, or at the same time. Ritual work is not a substitute for a lawyer, a doctor, or for leaving a dangerous situation. If you are unsure whether a working is appropriate, wait, ask a teacher you trust, or choose a simpler practice first and see how that sits.
It is also worth asking, honestly, whether the matter you are bringing to a terrible and powerful king is a matter that needs that kind of working, or whether a simpler approach would do the work you actually need done. A working aimed at the wrong scale, for a matter that is small, or ordinary, or already being handled in the ordinary world, will not do the work you actually need done, and it will muddy the record you keep afterwards.
Keeping a record, and knowing when to stop
Keep a short record for each working: date, purpose in one sentence, oil and incense used, what you did, and what you noticed afterwards, over days and weeks, not just on the night itself. If nothing changes, that is also information. It may mean the petition was unclear, the timing was wrong, the work was not appropriate, or simply that the situation needs a different approach.
Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence. It is noise.
Balam oil, and Balam incense to go with it
If you are doing spirit work with Balam, the oil is for anointing, not for show.
I hand make Balam oil myself, from pure essential oils, roots, and herbs, with no synthetics and no fillers, and I bless it myself before it is sent out. It is made in small batches, when you order, for anointing and spirit work with Balam. I make no promise about what it will do for you, only that it is made by hand, for this work, and not mass produced.
If you want the oil for that work, this is the one I offer: Balam Goetia grimoire demon evocation oil, $44 CAD, 1/2 oz bottle. View the product
I also make the incense to go with it, for the same work: Balam Goetia incense, $44 CAD. View the product
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