Black Pullet silk talisman: going where you wish, unseen, and discovering secret things

A silk talisman, hand drawn, is not a printed image

A Black Pullet silk talisman is a hand made object, and that hand making is part of what it is. The talismans here are each hand made with the proper materials. I do not use an engraving machine for this, since it would take away much of the magic. That sentence, from the wording given here, is worth taking seriously, because it names a choice about method, and method, in talisman work, is not a neutral detail. A machine can reproduce a figure accurately, and quickly, and cheaply. A hand, drawing slowly, with real materials, makes a different object, even when the figure is the same, because the time, the attention, and the handling are different.

The talisman in this article is a Black Pullet silk talisman with the image hand drawn with real lead, then coloured in with magical inks, for being able to go wherever one wishes without being seen or detected, and to discover the most secret things. Silk, lead, and magical inks are the materials named here, and this article does not add other materials, other colours, or other figures to it. A talisman made to a book, and to a particular purpose, is a specific object, and adding general talisman lore to it would blur the very specificity that makes it this talisman rather than a talisman in general.

Going wherever one wishes, without being seen or detected

Going wherever one wishes without being seen or detected is a purpose that needs to be read carefully, and in full. It is not only about a place. It is about movement, about permission, and about notice. Going where you wish means you have a destination in mind, and a reason to go there. Without being seen or detected means the going itself is not noticed, not interrupted, and not remembered in a way that causes trouble afterwards. Those two parts together are a different petition from either part alone. A petition for going, with no thought to notice, may get you there and into trouble on arrival. A petition for not being noticed, with no destination named, may leave you nowhere in particular, and unnoticed for no purpose.

Be specific with yourself about what you mean, because vague work tends to produce vague results, and vague results are hard to read afterwards. Name the place, or the kind of place, you mean. Name the reason you wish to go there. Name what being unseen means in that particular case: passing through a place without interruption, entering a place without challenge, leaving a place without being followed, or simply moving through ordinary life without drawing attention you do not want. Each of those is a different working, and each deserves its own words. If you cannot state the matter in one clear sentence, write it down, leave it overnight, and come back to see if it still reads true. That pause is part of the work, not a delay in it.

Reflection about being specific about what you want is part of good practice here. It is also a check on the petition itself. If the destination, once named plainly, is a place you have no right to enter, or a place where your presence would cause harm, then the work to do first is not a talisman for unseen passage. It is a reconsideration of the destination, or of the reason for going. A talisman does not make a wrong destination right, and it does not remove the ordinary consequences of entering a place where you should not be.

Discovering the most secret things

The second purpose named here, to discover the most secret things, sits alongside the first, and it is worth asking how the two fit together. Going unseen, and discovering secret things, are both forms of hiddenness, but they point in opposite directions. One is about your own hiddenness, as you move. The other is about the hiddenness of things, as you seek to know them. A working that asks for both is asking for a kind of double sight: to move without being seen, and to see what is not ordinarily seen. That is a wide petition, and it deserves to be narrowed before you begin.

Secret things, in practice, can mean many things. It can mean a fact that has been kept from you, a motive that is not being spoken aloud, a plan that is being made in private, or a part of your own situation that you have not yet looked at plainly. It can also mean a hidden cause: why a plan keeps stalling, why a conversation keeps going in circles, why a door that should open does not. Sit with the question before you work with it. Write it down in one clear sentence. Leave it overnight. Come back and see if it still reads true. A question about a secret thing is often worth that extra night, because the first phrasing is often not the real question.

Knowledge of secret things, in this context, is not a casual curiosity. It is a request for sight into what is hidden, and it deserves the same care as any other request for counsel. Ask for what you actually need to know in order to act well, rather than asking for everything at once. A clear question gives you something you can check afterwards, in plain language, against what actually happened. A vague question gives you a vague answer, and a vague answer is hard to learn from.

The Black Pullet, and working with a talisman from a book

The Black Pullet is a grimoire, and a talisman from a grimoire is made to the book, not to a general idea of what a talisman should look like. That is why the wording here stresses proper materials, and hand drawing, rather than machine reproduction. A talisman from a book carries the book's own logic: its figures, its materials, and its purposes are given together, and changing one part without understanding the others risks changing the whole. If you are working with a Black Pullet talisman, study the book's own presentation of it, in your own system, under teaching you trust, rather than improvising a method from a general article.

A general article like this one is not a substitute for proper teaching in the system, and it should not be used to invent a rite for a talisman you have not been taught to work with. If your practice calls for cleansing or consecration of a new talisman, follow the instructions you already follow in your system. If you do not have a system for this book, study the book itself, slowly, before you attempt a working that the book describes. Preparation is most of the work, and that is true for a talisman as well as for a formal working.

Keep the talisman properly, in a clean place, away from ordinary clutter, and handle it with the care you would give any working tool. A silk talisman, hand drawn with lead and coloured with inks, is not a hard metal object. It is cloth, and ink, and lead drawing, and it should be kept, folded or stored, in a way that protects the drawing, rather than creasing it, rubbing it, or leaving it where it can be damaged by damp, by light, or by ordinary handling. That care is practical, and it is also part of the work, because a tool that is treated carelessly tends to be worked with carelessly.

Preparing, carrying, and keeping a record

Preparation for working with a talisman starts before the talisman arrives. Be clear about why you are working with it, what you are asking for, and what you are prepared to do yourself once you have an answer, or once you have arrived where you wished to go. If you cannot state the matter in one clear sentence, write it down, leave it overnight, and come back to see if it still reads true. A question about a secret thing, or a journey to be made unseen, is often worth that extra night, because the first phrasing is often not the real question.

When the talisman arrives, take time to look at it, to hold it, and to set it aside in a clean place that is used for your working tools. Do not start by carrying it everywhere at once, without a purpose, and do not leave it in a pocket with keys and loose change, or on a bathroom shelf. A tool that is treated carelessly tends to be worked with carelessly, and that shows in the record you keep afterwards. Carry it for the purpose named in your working, and put it away properly when that purpose is done, rather than carrying it continuously out of habit.

Afterwards, write down what you did, when you did it, and what you noticed. Not what you hoped would happen, but what actually happened, in plain language. That record is what lets you tell, weeks later, whether anything changed, and whether that change had anything to do with the work. Note the talisman itself in that record: when you carried it, when you put it away, and what you noticed on days when you carried it compared with days when you did not. Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence. It is noise.

When this is not the right work

Sometimes the right answer is not a talisman at all. If the situation is a legal matter, a safety matter, or a medical matter, deal with that matter in the ordinary world first, or at the same time. Ritual work is not a substitute for a lawyer, a doctor, or for leaving a dangerous situation. If you are unsure whether a working is appropriate, wait, ask a teacher you trust, or choose a simpler practice first and see how that sits.

It is also worth asking, honestly, whether the place you wish to go, or the secret thing you wish to discover, is a matter for ritual work, or a matter for ordinary conversation, for permission asked plainly, or for a change in your own conduct. The answer changes the petition, and it changes what you should be working with and why. A working aimed at unseen passage when the real work is a conversation you have been avoiding will not do the work you actually need done. The talisman is made for the work, blessed by Athena herself before it is sent out, and sent to you to use in your own practice. What follows from that practice, in terms of magical result, is yours to observe, not mine to guarantee. That wording is about magical result, not about delivery dates for a physical item.

Black Pullet silk talisman, to go wherever without being seen

A silk talisman, hand drawn, is not a printed image. The hand making is part of what it is.

I make these talismans myself, each one hand made with the proper materials, with the image hand drawn with real lead, then coloured in with magical inks, and I do not use an engraving machine for this, since it would take away much of the magic. This one is for being able to go wherever one wishes without being seen or detected, and to discover the most secret things. I bless each one myself before it is sent out. I make no promise about what it will do for you, only that it is made by hand, for this work.

If you want a talisman made in this way, this is the one I offer: Black Pullet silk talisman go wherever without being seen, $540 CAD. View the product

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