Gremory: a 1-inch seal for hidden treasure, true answers, and love
Gremory, and what working with her is for
Gremory is presented in the Grimoire Companion material as a Duke, with 26 legions, a spirit who discovers hidden treasures, tells past, present, and future, and procures love. Those three things are a practical set, and they are worth holding together, because they keep the work honest. A hidden treasure is not a vague hope for wealth. It is a specific thing, in a specific place, that has been overlooked, buried, or kept back. A true answer about past, present, and future is not a vague reassurance. It is a statement that can be checked, afterwards, against what actually happened. Love, procured in this context, is not a vague wish to be liked. It is a specific bond, with a specific person, that you can name.
Hidden treasure, in ordinary life, is often not gold in a chest. It is a resource that is already yours, but that you have not seen: a skill you have not used, a contact you have not called on, a room in a house that has not been cleared, a sum that is owed and has not been collected. Before you begin Gremory work, ask what treasure you are actually looking for, and where you have already looked. A working that cannot name what it is looking for is hard to read afterwards, because you will not know, when something turns up, whether it is the treasure, or only something that happened to turn up.
Telling past, present, and future, as a single art, is also worth pausing on. A spirit who tells only the future, without telling the past truly, is easy to flatter and hard to check. A spirit who tells the past truly, and the present plainly, gives you a way to judge the future telling: if the past telling is right, and the present telling is right, the future telling deserves more weight than if the past telling was wrong. Keep that check in mind, and write down what was told, in plain language, before events have a chance to rewrite your memory of it.
Love, stated plainly and specifically
Love, in Gremory work, is presented as procured love, and that wording needs plainness, not a lecture. This article does not tell you what to wish for, and it does not forbid any wish. It asks you to be specific, because specificity is what makes a working readable afterwards. Who is the person, what is the bond you are asking for, and what would that bond actually look like, in ordinary days, not only on the night of the working? A vague wish for love, with no person and no bond named, is hard to work with, and harder to recognise when it happens.
Specificity also protects you from fooling yourself. If you ask for love in general, almost anything that happens afterwards can be read as an answer, and a reading that can mean anything means nothing. If you ask for a specific bond, with a specific person, in specific terms, you will know, afterwards, whether it happened, whether it partly happened, or whether it did not happen at all. That knowledge is the point of keeping a record, and it is the point of working with a spirit who is also presented as telling past, present, and future truly. The two domains support each other: true answers, and a specific love, both need the same discipline of naming things plainly.
A 1-inch pendant is a discreet form for that kind of work. It is small enough to be worn without drawing attention, and small enough to be carried in a pouch or a pocket, close to the body, through ordinary days. That discretion suits Gremory work, because hidden treasure, true answers, and love are all matters that are often worked on quietly, over time, rather than announced. A larger seal, worn openly, makes a statement. A 1-inch seal, worn quietly, keeps the work where it belongs: between you, the seal, and the working itself. No guaranteed magical result is promised anywhere in this article. That wording is about the work itself, not about delivery dates for physical items.
How a lost-wax cast seal is made
The seals offered here are lost wax cast seals of the Daemon Demons of the various grimoires. They are pure metal which is actually cast, starting with a wax version. In lost-wax casting, the seal is first worked in wax, then cast in metal from that wax form. The wax is lost in the process, which is where the name comes from, and the metal that remains is a solid, cast object, not a printed shell.
You can feel that difference when you hold it: a cast seal has weight, it has a surface that shows the hand work, and it does not have the layered texture of a printed object. That process also explains why a cast seal is made to order, and why it takes time.
That is a practical detail, and it is worth knowing before you order, because it affects how the pendant hangs and how it will wear over time. This pendant is 1 inch, a size that is large enough to hold in the hand and to see clearly, and small enough to carry.
Holding it, carrying it, wearing it, showing it
A seal can be worked with in several plain ways, and it is worth naming them, because they are different acts. You can hold it in the hand during a working, feeling its weight and its surface while you speak. You can place it under a candle, so the working is done over the seal itself. You can put oil on it, anointing it deliberately for a purpose, naming that purpose in your own words. You can carry it with you, in a pocket or a pouch, through the days when the work needs to stay with you. You can wear it as a pendant, so it is on your body during the working and afterwards. And, where the work calls for it, you can show it to the desired person, as a seal shown, not merely as a picture described.
Those are not six ways of doing the same thing. Holding a seal is private and immediate. Placing it under a candle fixes the working to a place and a time. Anointing it marks it for a purpose. Carrying it extends the working beyond the night it was done. Wearing it as a pendant makes it part of how you present yourself. Showing it to a person makes the seal part of a meeting between people. Before you order, ask which of those acts your work actually calls for, because the answer changes whether a pendant, a disc, or a ring is the right form for you.
A pendant seal is made to be carried, and carrying it is part of the work, not an afterthought. Wear it when you are working, and put it away properly when you are not, rather than leaving it in a pocket with keys and loose change, or on a bathroom shelf. A tool that is treated carelessly tends to be worked with carelessly, and that shows in the record you keep afterwards. Do not use a seal as a substitute for the rest of the working. Carrying a seal and then doing nothing else, with no petition, no attention, and no closing, is not spirit work. The seal supports the work, it does not replace it.
A simple working order, to adapt to your own practice
The following is a general order, not a fixed script. Adapt it to the system you already work in. First, prepare the room and yourself: clear the space, set it aside for this purpose, bathe or wash, change into clothes you do not wear for ordinary errands, and know what you are going to say, in your own words, before you begin. Second, set out the seal, and any oil, incense, or candle you will use. Third, anoint or fumigate the seal, if your practice calls for it, deliberately, naming the purpose in your own words. Fourth, speak your petition, clearly and once, rather than repeating it until it loses its shape. Fifth, sit quietly for a time and listen, rather than filling every moment with more words. Sixth, close the working properly, in whatever way your practice requires, and put the seal away in its proper place.
Afterwards, write down what you did, when you did it, and what you noticed. Not what you hoped would happen, but what actually happened, in plain language. Note the seal itself in that record: when you wore it, when you put it away, whether you anointed or fumigated it, and what you noticed on days when you carried it compared with days when you did not. That record is what lets you tell, weeks later, whether anything changed, and whether that change had anything to do with the work. Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step.
Care for a cast pendant
Care for a cast metal pendant is practical, not mystical, and it is worth stating plainly. Pure cast metal will show wear over time, especially if it is worn every day, against skin, against clothing, and against other objects. That wear is normal for a working tool, and it is not a sign that the seal has stopped working. It is a sign that it has been carried. Keep the pendant in a clean, dry place when you are not wearing it, away from other metal objects that could scratch it. Clean it gently, with a soft cloth, and do not use harsh chemicals or abrasive cleaners on it, unless you know, for the specific metal involved, that such a cleaner is safe.
If the bail loosens, or if the pendant shows damage, stop wearing it until it can be repaired properly. A tool that is falling apart is a distraction in a working, and a safety risk if it can fall off unnoticed. That is a practical point, but it is also a working point: a tool you are worried about losing is a tool you cannot focus with. No guaranteed magical result is promised anywhere in this article. That wording is about the work itself, not about delivery dates for physical items.
Gremory cast seal pendant, 1 inch
A seal for Gremory should be a seal, not a picture of one. This one is for traditional Goetia work with Gremory, Duke, 26 legions, for hidden treasure, true answers about past, present, and future, and love, as the Grimoire Companion material presents her.
I make these as lost wax cast seals, cast from a wax version in pure metal, one at a time, and I bless each one myself before it is sent out. This one is Gremory, as a pendant, 1 inch, made to be held, anointed, placed under a candle, carried, worn, or shown, as your practice calls for. I make no promise about what it will do for you, only that it is cast by hand, for this work. That wording is about the magical result, not about delivery dates.
If you want a Gremory seal made in this way, this is the one I offer: Gremory cast Daemon Demon seal pendant, 1 inch, $108 CAD. View the product
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