Money drawing: bringing more money in, and keeping it in order

What money drawing means

Money drawing, in magical practice, means what it says: to bring more money in. That plainness is worth holding on to, because money work is one of the areas where vague language does the most damage. A practitioner who says they want abundance may mean anything from clearing a debt, to finding a client, to keeping a shop open through a slow season, to funding a year of study. Those are different situations, and they call for different workings, and different ordinary steps alongside them.

Before any money working, name the need plainly. Is it a sum, for a purpose, by a time, through a channel? A debt to be cleared, a business to be steadied, a period of work to be funded, a household to be kept secure? Write it down in one sentence, and let that sentence be the measure you return to later. A vague wish for more money is hard to read afterwards, because almost any small change can be read into it, and that is a poor way to learn.

Be specific about what you want, in the same way you would be specific about any serious financial matter. What would be different, in ordinary life, if the working bore fruit? A sale closed, an invoice paid, a client signed, a debt reduced? Name the channel, not only the sum, and then watch that channel afterwards, honestly, over days and weeks.

Money as flow, not as a pile

It helps to think of money as a flow rather than a pile. Money comes in through work, sales, clients, settlements, and gifts, and it goes out through rent, supplies, debts, and living costs. A money drawing working that only thinks about the incoming side, and ignores the outgoing side, is half a working. A practitioner who draws money in and then spends it carelessly, or lets debts drift, will find themselves back where they started, and may conclude the working failed, when in fact the household accounts failed.

So look at both sides before you begin. What is coming in, what is going out, and where are the leaks? Are invoices being chased, or left? Are prices honest and sufficient, or set so low that every sale is a loss? Are debts being dealt with plainly, or avoided? Those are ordinary questions, and they belong to the working as much as the ritual part does. Ritual work supports a financial life; it does not substitute for keeping one in order.

If a financial matter is also a legal matter, deal with the legal part properly and on time. If a debt is in dispute, get advice. Magic is not a substitute for dealing with a legal matter, a safety matter, or a medical matter in the ordinary world, and money work that pretends otherwise is a poor bargain.

Incense is not background scent

Incense is not background scent for this work. It is part of the working itself. That corrects a habit many practitioners bring into the room without noticing it. We are used to scent in ordinary life being pleasant, or atmospheric, or something that makes a room feel nicer. In ritual work, incense does a different job. It marks the time as set apart, it fills the space you are working in, and it stays with you through the working, in a way a spoken word does not.

When you light incense for money drawing work, you are not adding decoration to a working that would be the same without it. You are changing the room you are working in, and you are changing your own attention along with it. The smoke, the scent, and the act of lighting itself all tell you, in a physical way, that you have begun. A working that has no clear beginning often has no clear end either, and it drifts.

Treat the lighting as a step in the work, not as preparation for the work. Do it deliberately, name the purpose in your own words if that is part of your practice, and then give the room a moment to settle before you go on to anything else.

Working with money drawing incense

Money drawing incense is used in the room where the working is done, and it can also be used to fumigate the tools and things that belong to the work. In money work, that fumigation has a plain meaning: the things you use to earn, keep, and handle money are given attention, deliberately, rather than being treated as clutter. A cash box, a ledger, a wallet, a set of tools for your trade, or the place where you do your accounts can all be fumigated with the purpose in mind, passing them through the smoke deliberately, rather than waving them through quickly and putting them away.

Do that fumigation as part of a working, not as a substitute for one. Light the incense, let the room settle, speak the petition clearly and once, rather than repeating it until it loses its shape, and then do the fumigation with attention. Afterwards, close the working properly, in whatever way your practice requires, and put the tools away in their proper place.

Keep the petition direct. One clear sentence, said once, clearly, is better than a long improvisation that loses its shape halfway through. If you cannot state the matter in one sentence, write it down, leave it overnight, and come back to see if it still reads true. That pause is part of the work, not a delay in it.

Hand made, when you order

The oils and incenses offered here are hand made, each batch when you order it, unless a batch has just recently been made. The oils and incenses made here are of a quality that Athena uses herself for magical work. They work well enough that she uses them successfully for spirit work, work for clients, as well as her own spellwork.

That made-to-order point matters here too. It means the incense has not been sitting, opened and closed, through other people's orders. It is made for your order, and then blessed by Athena herself before it is sent out. No promise about what it will do for you is made here, only that it is made by hand, for this work, and not mass produced.

Money drawing work belongs, in this line, with the other money drawing products: the oil, which is used to dress money, spell candles, or lodestones, and the incense, which fills the room and fumigates the tools of the work. They do different jobs, and they can be used together with a clear purpose, or separately, according to the working in hand.

Preparing the room and yourself

Preparation is most of the work, and with incense that is literally true, because the room is the thing the incense acts on. Clear the space you will use, physically, and set it aside for this purpose. Put away the things that pull your attention elsewhere. If you have a regular working space, use it. If you do not, choose one place and use it consistently for this working, so the place itself starts to carry the association.

Ventilation matters, in a practical sense that is easy to overlook when you are focused on the ritual side. A room that is completely sealed will fill with smoke quickly, and a room that is wide open will lose the scent before the working is done. Find a balance that works for your space: enough air to breathe comfortably, enough containment that the scent remains present through the working. Test how your room behaves before the night of the working, not during it.

Set out what you will need before you light anything: the incense, a safe burner or charcoal arrangement that you have used before, and the oil if you are using oil as well. Then prepare yourself: bathe, or at least wash your hands and face, change into clothes you do not wear for ordinary errands, and avoid starting when you are exhausted, drunk, or already agitated. A clear head is a working tool, just as much as incense is.

A simple working order, to adapt to your own practice

The following is a general order, not a fixed script. Adapt it to the system you already work in. First, name the need plainly, in one sentence, with its channel. Second, prepare the room and yourself, as above. Third, set out the incense, the burner, and anything you will fumigate, along with the oil if you are using it. Fourth, light the incense and let the space settle. Fifth, speak your petition, clearly and once. Sixth, fumigate the tools of the work deliberately, if that is part of your practice. Seventh, sit quietly for a time and listen, rather than filling every moment with more words. Eighth, close the working properly, and put the tools away in their proper place.

Afterwards, write down what you did, when you did it, and what you noticed. Not what you hoped would happen, but what actually happened, in plain language: the sale, the payment, the client, the debt reduced, or nothing at all. Note the incense itself in that record: how much you used, how the room behaved, how long the scent remained. Those practical details are part of learning how to work with incense well, not a distraction from it.

What not to do, and knowing when to stop

Do not burn incense in a room where it is unsafe to do so, and do not leave a burner unattended. Use a safe burner, on a heat-proof surface, away from curtains, papers, and anything that could catch, and stay with it for the whole working. If you have sensitivities to smoke or to particular incense ingredients, test carefully, ventilate well, or choose a different form of working. If the incense makes you cough, or gives you a headache, that is information, not a test of dedication. Stop, ventilate, and reconsider how, and how much, you use.

Do not use incense as a substitute for the rest of the working, or for the ordinary financial work. Lighting incense and then doing nothing else, with no petition, no attention, and no closing, is not money work. It is just a room that smells different. And a working that is not followed by chasing invoices, pricing honestly, and keeping accounts in order is a working left half-done.

Do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe over days and weeks, and then decide calmly whether a second working, a different approach, or no further working is the right next step. If nothing changes, that is also information. It may mean the petition was unclear, the channel was wrong, or the situation needs a different approach.

Money Drawing Incense, and Money Drawing oil to go with it

Money drawing means bringing more money in, named plainly: a sum, for a purpose, through a channel, with the accounts kept in order alongside the working.

I hand make Money Drawing Incense myself, in small batches, when you order, and I bless it myself before it is sent out. It is incense I use myself for spirit work and spellwork, not a bulk incense relabelled for the purpose. I make no promise about what it will do for you, only that it is made by hand, for this work.

If you want the incense for that work, this is the one I offer: Money Drawing Incense, $44 CAD. View the product

I also make the oil to go with it, for the same work: Money Drawing magick Oil, $44 CAD. View the product

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