Working with Sitri: love, attraction, and a seal ring made to be worn
A seal is not a picture of a seal
A seal for Sitri should be a seal, not a picture of one. That distinction sounds simple, and it is, but it changes how you work with the thing in your hands. A picture can be looked at. A seal ring can be worn, held, anointed, fumigated, placed under a candle, and carried through the ordinary day, where love and attraction are actually lived. It has weight, it has a surface you can touch, and it stays with you after the working is over, in a way a printed image does not.
That is why the form matters in traditional Goetia work, and why a seal that is made properly is different from a seal that is merely reproduced. The seal in this article is for traditional Goetia work with Sitri, as a hand cast seal ring. It is made to be worn and worked with, not left in a drawer as decoration, and not filed away as a reference image. If you are new to this kind of work, ask yourself, before you order anything, whether you actually want a working tool, or whether you want a picture to look at. Both have their place, but they are not the same thing.
Sitri, love and attraction, and hidden secrets
In the Grimoire Companion material, Sitri is a Prince whose work is tied to love: he kindles love and attraction, and reveals hidden secrets. That is the specific field for this article, not spirit work in general. Love and attraction, in this context, are not a single vague wish. Attraction can mean a pull toward someone, a spark, a first interest. Love can mean affection, commitment, reconciliation, or a relationship that is already there and needs to be held steady. Those are different petitions, and they should not be blurred together.
Hidden secrets belong in the same field, and they deserve a plain reading. A secret, here, is not gossip. It is something that has not been said, or not been seen, in a relationship: a feeling that has not been named, a fact that changes how a situation reads, a truth about your own part in a matter that you have been working around. Before you work with Sitri, be specific about which of these you mean. Be specific about who is involved, and about what you are actually asking to change. A vague love wish is hard to read afterwards, and a clear petition is easier to work with, and easier to recognise when something has actually shifted.
Reflection about being specific is part of this work, not an extra added to it. If you cannot state the matter in one clear sentence, write it down, leave it overnight, and come back to see if it still reads true. That pause is part of the work, not a delay in it. It is also a way of checking, honestly, whether the love or attraction you are working toward is something you can speak about plainly, to yourself first, before you speak about it in a working at all.
How a lost-wax cast seal ring is made
The seals offered here are lost wax cast seals of the Daemon Demons of the various grimoires. They are pure metal which is actually cast, starting with a wax version.
In lost-wax casting, the seal is first worked in wax, then cast in metal from that wax form. The wax is lost in the process, which is where the name comes from, and the metal that remains is a solid, cast object, not a printed shell. You can feel that difference when you hold it: a cast seal has weight, it has a surface that shows the hand work, and it does not have the layered texture of a printed object.
That process also explains why a cast seal is made to order, and why it takes time. A seal that is already listed takes about two to three weeks while seals that are not listed, but are under the other option, take eight weeks, because she still has not carved their waxes yet. The metals mentioned in the source for this ring include copper, bronze, steel, gold, silver, and brass, so the choice of metal is part of the order, not something to guess at afterwards.
Preparing to work with a seal ring
Preparation is most of the work, and with a ring that preparation starts before the ring arrives. Be clear about why you are working with Sitri, what you are asking for, and what you are prepared to do yourself. If you cannot state the matter in one clear sentence, write it down, leave it overnight, and come back to see if it still reads true. If your practice calls for cleansing or consecration of a new tool, follow the instructions you already follow in your system. A general article like this one is not a substitute for proper teaching in the system.
When the ring arrives, do not start by wearing it everywhere at once. Take time to look at it, to hold it, and to set it aside in a clean place that is used for your working tools. Prepare the room and yourself in the same way you would for any Goetia working: clear the space, set it aside for this purpose, bathe or wash, change into clothes you do not wear for ordinary errands, and know what you are going to say, in your own words, before you begin. A clear head is a working tool, just as much as a seal, oil, or incense is.
Think, too, about the ordinary world around the working. Love and attraction do not happen only in a ritual room. They happen in conversations, in messages, in the way you show up, and in the way you listen. A ring prepares you for that ordinary work. It does not do the conversation for you, and it does not settle a relationship before it happens. Keep that distinction in front of you from the start, because it keeps the working honest.
Holding, anointing, fumigating, and wearing
A seal ring is made to be worn, and wearing it is part of the work, not an afterthought. Wear it when you are working, and put it away properly when you are not, rather than leaving it in a pocket with keys and loose change, or on a bathroom shelf. A tool that is treated carelessly tends to be worked with carelessly, and that shows in the record you keep afterwards.
Working with a seal, in the general approach used on this site, includes holding it, putting it under a candle, putting oil on it, carrying it with you, wearing it as a pendant or, in this case, as a ring, and showing it to the desired person, where that fits your practice and the situation. Each of those is a different way of using the same object, and they are not interchangeable. Holding it is for quiet attention. Putting it under a candle is for a working with a set time. Putting oil on it is anointing, marking it deliberately for a purpose. Carrying it is for the ordinary day, when you want the working to stay with you. Showing it to the desired person is a direct, open act, and it should only be done where it is honest and appropriate to do so, not as a surprise or a trick.
Anointing a seal is a way of marking it for a purpose, often done with a matching oil, applied deliberately, naming the purpose in your own words. Fumigating a seal is the companion practice: passing it through incense smoke, to start a working, and for fumigating the tools and talismans that will be used in it. Sitri also has a matching incense and a matching oil, both at $44 CAD, for spirit work and spellwork with Sitri, made in small batches when you order. This article is about the ring, so it does not turn into a second article about oil or incense, but it is worth knowing that those companions exist, because a ring that is never anointed or fumigated, and is only worn as jewellery, is not being worked with in the same way as a ring that is prepared for a working and then worn.
A simple working order, to adapt to your own practice
The following is a general order, not a fixed script. Adapt it to the system you already work in. First, prepare the room and yourself, as above. Second, set out the ring, and any oil, incense, or candle you will use. Third, anoint or fumigate the ring, if your practice calls for it, deliberately, naming the purpose in your own words. Fourth, speak your petition, clearly and once, rather than repeating it until it loses its shape. Fifth, sit quietly for a time and listen, rather than filling every moment with more words. Sixth, close the working properly, in whatever way your practice requires, and put the ring away in its proper place, or wear it as your practice directs.
Afterwards, write down what you did, when you did it, and what you noticed. Not what you hoped would happen, but what actually happened, in plain language. That record is what lets you tell, weeks later, whether anything changed, and whether that change had anything to do with the work. Note the ring itself in that record: when you wore it, when you put it away, whether you anointed or fumigated it, and what you noticed on days when you wore it compared with days when you did not.
Care for a cast ring, and knowing when to stop
Care for a cast metal ring is practical, not mystical, and it is worth stating plainly. Pure cast metal will show wear over time, especially if it is worn every day, against skin, against clothing, and against other objects. That wear is normal for a working tool, and it is not a sign that the ring has stopped working. It is a sign that it has been worn.
Keep the ring in a clean, dry place when you are not wearing it, away from other metal objects that could scratch it. Clean it gently, with a soft cloth, and do not use harsh chemicals or abrasive cleaners on it, unless you know, for the specific metal involved, that such a cleaner is safe. If the ring shows damage, stop wearing it until it can be repaired properly. A tool you are worried about losing is a tool you cannot focus with.
Keep a short record for each working, and do not repeat the same working endlessly in the hope that repetition alone will force a result. Do the work properly, once, observe, and then decide, calmly, whether a second working, a different approach, or no further working is the right next step. Repetition without reflection is not persistence. It is noise.
Sitri cast seal ring
A seal for Sitri should be a seal, not a picture of one.
I make these as lost wax cast seals, cast from a wax version in pure metal, one at a time, and I bless each one myself before it is sent out. This one is Sitri, as a ring, made for traditional Goetia work with Sitri, to be worn and worked with, not left in a drawer as decoration. I make no promise about what it will do for you, only that it is cast by hand, for this work.
If you want a Sitri seal made in this way, this is the one I offer: Sitri Goetia cast seal ring, $216 CAD. View the product
Companions for the same work, made in small batches when you order: Sitri Goetia incense, $44 CAD, and Sitri Goetia grimoire demon evocation oil, $44 CAD. View the product
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